Last edited by Arashilkree
Thursday, May 7, 2020 | History

4 edition of English women"s poetry, 1649-1714 found in the catalog.

English women"s poetry, 1649-1714

politics, community, and linguistic authority

by Carol Barash

  • 384 Want to read
  • 5 Currently reading

Published by Clarendon Press, Oxford University Press in Oxford, New York .
Written in English

    Places:
  • Great Britain
    • Subjects:
    • English poetry -- Early modern, 1500-1700 -- History and criticism.,
    • Women and literature -- Great Britain -- History -- 17th century.,
    • Women and literature -- Great Britain -- History -- 18th century.,
    • English poetry -- Women authors -- History and criticism.,
    • English poetry -- 18th century -- History and criticism.,
    • Politics and literature -- Great Britain -- History.,
    • Feminism and literature -- Great Britain -- History.,
    • Language and culture -- Great Britain -- History.,
    • Feminist poetry -- History and criticism.,
    • Authority in literature.,
    • Sex role in literature.,
    • Queens in literature.

    • Edition Notes

      Includes bibliographical references (p. [314]-335) and index.

      StatementCarol Barash.
      Classifications
      LC ClassificationsPR545.W6 B37 1996
      The Physical Object
      Paginationxii, 345 p. :
      Number of Pages345
      ID Numbers
      Open LibraryOL815635M
      ISBN 100198119739
      LC Control Number95053219

      outstanding books destined to become standard reference works for decades to come. Susan J. Owen's Restoration Theatre and Crisis and Carol Barash's English Women's Poetry, Poli-tics, Community, and Linguistic Authority are both learned works of archivally based literary history that advance powerful argu-. Susan C. Greenfield is associate professor of English at Fordham University. Carol Barash is the author of English Women's Poetry, and co-editor of Major Women Writers of Seventeenth-Century England. More about Susan C. Greenfield.

      Indian Poetry in English: A Comprehensive Study. English Women's Poetry, Politics, Community, and Linguistic Authority This book is the first study to reconstruct the political. Women and literature -- Early works to See also what's at your library, or elsewhere.. Broader terms: Women and literature; Early works to ; Filed under: Women and literature -- Early works to Letters for Literary Ladies: To Which is Added, An Essay on the Noble Science of Self-Justification (second edition, ), by Maria Edgeworth (HTML at Celebration of Women Writers).

      ceptive and forcefully argued. The discussion later in the book of Fish and Bentley will resonate with students of Milton for a long time, as it should. Kolbrener is an ingenious literary historian from whom we can expect much in the future. Stephen M. Fallon University ofNotre Dame English Women's Poetry, Carol Barash. Oxford: Clarendon. John Marriot. John Marriot maintained his London business from to ; his shop was at the sign of the "White Flower de Luce" in St. Dunstan's Churchyard in Fleet t published a wide range of books on many subjects, including the religious works that were a dominant feature of his era; John Meredith's The Sin of Blasphemy Against the Holy Ghost () is only one of various.


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English women"s poetry, 1649-1714 by Carol Barash Download PDF EPUB FB2

English Women's Poetry, Politics, Community, and Linguistic Authority [Barash, Carol] on *FREE* shipping on qualifying offers. English Women's Poetry, Politics, Community, and Linguistic AuthorityCited by: English Women's Poetry, Politics, Community, and Linguistic Authority (Hardcover) by Barash, Carol pulished by Oxford University Press, USA Manufacturer: Oxford University Press, USA.

This study reconstructs the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Drawing on extensive archival research in England and the United States, Barash argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars.

Women entered print culture--as. English Women's Poetry, by Carol Barash, JanuOxford University Press, USA edition, in EnglishCited by: This study reconstructs the political origins of English women's poetry between English womens poetry execution of Charles I and the death of Queen Anne. Based on extensive archival English womens poetry in England and the United States, Barash argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars.

Women entered print culture--as. This book is the first study to reconstruct the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne.

The book shows that, between Katherine Philips (–) and Anne Finch, Countess of Winchilsea (–), English women's poetic tradition developed as part of the larger political shifts in these years and particularly in women's Author: Carol Barash.

Representing Women in Renaissance England is reminiscent of the initial groundbreaking anthologies of essays, published in the mids, that presented titillating pieces of biography or of literary analysis, while English Women's Poetry, provides an excellent example of how those earlier titillating bits can provide the seeds for a.

Carol Barash's English Women's Poetry continues the important work of recovering the sources, contexts, and traditions within which early modern English women wrote.

* Claudia *. Based on extensive archival research in England and the United States, English Women's Poetry, argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars.

English women's poetry, politics, community, and linguistic authority. [Carol Barash] -- This study reconstructs the political origins of English women's poetry, showing that the women's poetic tradition developed as part of the larger political shifts between and English Women's Poetry, – Politics, Community, and Linguistic Authority.

Oxford: Speculations on Manuscript Sources and Women's Book History.” English Literary Renaissance, 38 In English Women, Religion, and Textual Production, – Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries.

Gillian Wright explores not only the forms and topics favoured by women, but also how their verse was enabled and shaped by their textual and biographical by: 7. poetry, The female hero in women's literature and poetry - CLIO English Women's Poetry, Politics, Community, and. - Google Books Result Quotes About Female Hero 30 quotes - Goodreads 16 Jun One outlet for women's poetry is Mirman Baheer, Afghanistan's largest literary society for women.

Mirman Baheer. Carol Barash is the author of Write Out Loud ( avg rating, 11 ratings, 3 reviews, published ), English Women's Poetry, - ( avg rati /5. Carol Barash is the author of English Women's Poetry, and co-editor of Major Women Writers of Seventeenth-Century England.

Barash, Carol, English Women’s Poetry, – Politics, Community, and Linguistic Authority (Oxford: Clarendon Press, ). Google Scholar Barker, Jane, The Galesia Trilogy and Selected Manuscript Poems of Jane Barker, ed. Carol Shiner Wilson (Oxford: Oxford University Press, ).Author: Rebecca M.

Mills. Poetry by English Women book. Read reviews from world’s largest community for readers. An indispensable compendium of poems by English women -- both thos /5(6). Margaret Doody, ‘Sensuousness in the Poetry of Eighteenth-Century Women Poets’, in I.

Armstrong and V. Blain (eds), Women’s Poetry in the Enlightenment: the Making of a Canon, – (London: Macmillan now Palgrave Macmillan, ), pp. 3– Google ScholarCited by: 3. English Women's Poetry, Politics, Community, and This study reconstructs the political origins of English women's poetry between the execution of Charles I Author: Morton D.

Paley. English Women's Poetry, Politics, Community, and Linguistic Authority. Carol Barash - Choosing Not to Marry Women and Autonomy in the Katherine : Elizabeth Cullingford.

In Women and Poetry –, edited by Sarah Prescott and David E. Shuttleton, – Houndmills, UK: Palgrave, _____. The Muses of Resistance: Laboring-Class Women’s Poetry in Britain, – Cambridge: Cambridge University Press, Laven, Mary.

The Virgins of Venice: Broken Vows and Cloistered Lives in the Renaissance Cited by: 4.English Women's Poetry, – Politics, Community, and Linguistic Authority, – Oxford: Oxford University Press, New York: Books for Libraries, Duff, Virginia M.

"'[F]allen by Mistaken Rules': Anne Finch's 'The Bird and the Arras' and the Subtle Indictment of Domestic Confinement and Marriage Law.".The years between the coronation of William III and Mary II in and the death of Anne in were marked by fierce public debates about the relationship between gender and political authority.

In political terms, the Glorious Revolution was crucial in replacing a model of absolute authority vested in the mystical, semi-divine ‘body of the Prince’ with a contract between monarch and.